I
read books to a degree than can only be called voluminous, and it is a
shame that too few of them are stitched together with a quality of prose
that enchants me. One writer I was weaned on, Antoine de Saint-Exupéry, has returned
to my adulthood where he has begun to work magic. For the second
consecutive visit to Provence, I have passed several hours with him and
his words, seated upon a patio that lies just over the hill from where
he had his aerodrome. And how wondrous still to be pulled
from his books by the sound of a prop-engine tracing the lines of this
same hill that shadows the valley of La Mole. The narrow confines of
that valley could not contain Saint-Exupéry’s restless spirit, which longed
to traverse the seams of the world. Off to my left are the waters into
which he did indeed find an untimely and ultimate rest, waters across
which his spirit continues to fly, piloting the vessel of poetry.
"During the world's first six thousand years...architecture was the great script of the human race...not only every religious symbol but also every human thought has its own passage and its own monument in this immense book."
"For
a human character to reveal truly exceptional qualities, one must have
the good fortune to be able to observe its performance over many years.
If this performance is devoid of all egoism, if its guiding motive is
unparalleled generosity, if it is absolutely certain that there is no
thought or recompense and that, in addition, it has left its visible
mark upon the earth, then there can be no mistake." On the turntable: Genesis, "Genesis Live" On the nighttable: Charmian London, "Jack London and Hawaii"